Table of Contents
The script supervisor is in charge of keeping the most up-to-date version of the script, so that if a department head comes up to you with script questions, you’ll be able to give them the answer that maintains continuity. Consolidate notes into production book.
How do I become a script supervisor?
The typical route to becoming a Script Supervisor includes the role of Assistant Production Coordinator/ Production Assistant. This role would give the candidate ample on-set production experience. In addition to this, you should look to learn the trade by assisting an experienced Script Supervisor.
What does script supervisor do in pre production?
During pre-production script supervisors prepare a continuity breakdown; this is a document which analyses the script in terms of cast, actions, wardrobe and props in scenes and story days. Then they time the script, which is quite a skill in itself.
What is a script supervisor salary?
Salary. The average annual salary for a Script Supervisor is approximately $67,400. The salary range for Script Supervisors runs from $40,000 to $86,000. When Script Supervisors are just starting out in the industry, the majority will work non-union and set their own day rates.
What union do script supervisors belong to?
I.A.T.S.E. Local 871 (California/West Coast, Chartered Jan. 1, 1958) – Initially started by script supervisors, Local 871 represents a variety of crafts, which, despite their differences, share one attribute: we keep Hollywood organized.
What does a DOP do in film?
A cinematographer or director of photography (sometimes shortened to DP or DOP) is the person responsible for the photographing or recording of a film, television production, music video or other live action piece.
What do gaffers do?
During filming, they work out the positioning of the lights and fastest way to change the lighting setups between shots. Gaffers mediate between the DoP and the rest of the lighting crew. They’re also responsible for safety and need to comply with the law on electricity, driving and employment.
What is a continuity girl?
Definition of continuity girl : a member of a motion-picture crew that is responsible for recording the details of a take in order to avoid discrepancies and to facilitate editing.
How do you become a script coordinator?
Having a good working knowledge of commonly used industry software can help you promote your skills to become a script coordinator. While formal education and training may not be necessary to work in TV script coordinator careers, a good understanding of the industry, with a focus on writing and production, is crucial.
What does a continuity person do?
A script supervisor (also called continuity supervisor or script) is a member of a film crew who oversees the continuity of the motion picture including wardrobe, props, set dressing, hair, makeup and the actions of the actors during a scene.
What are the 13 Iatse locals?
In 13 Western states (Alaska, Arizona, California, Colorado, Idaho, Montana, Nevada, New Mexico, Oregon, Texas, Utah, Washington and Wyoming), it is a requirement to be placed on the Industry Experience Roster (also called the “IER” or the “Roster”) to work or be hired for an IATSE contract project.
What positions are in Iatse?
We are more than 150,000 entertainment industry professionals across the United States and Canada, including stagehands, front of house workers, wardrobe attendants, hair and makeup artists, motion picture and television production technicians, broadcast technicians, scenic artists, designers, animators, audiovisual.
How do I get to the Local 600?
In order to join Local 600, you must be paid for at least 100 days of work in a specific classification – such as camera operator – in a union or non-union project in the three years preceding your membership application.
What is the difference between DoP and director?
The DP controls everything that affects what the camera is able to capture (i.e. composition, exposure, lighting, filters, and camera movements). The director of photography is the head of the camera and lighting crews on set, and also selects the cameras, lenses, and filters to be used on a shoot.
What is the difference between DoP and cinematographer?
“Cinematographer”, “DP”, “DoP”, and “Director of Photography” are synonymous. It’s the person at the head of the camera department who helps bring the director’s aesthetic vision to life. The DP oversees camera choice (Are we using RED or Alexa?Jun 13, 2017.
What does the role of a best boy?
A best boy is the first assistant to the grip crew or the lighting department and fills a number of roles on a television or film set. While the gaffer and key grips work closely with the director of photography (cinematographer), the best boys take care of everything topside to ensure a seamless production.
What is a camera operator called?
A film’s camera operator, also called a cameraman, is the professional responsible for operating the camera and capturing the film’s footage.
What does lining a script mean?
For those of you that don’t know, a lined script is simply a version of your script that has been marked up by the director to indicate when and where coverage occurs. Basic information such as the shot number, shot size, and amount of coverage is indicated very simply by using short form notes.
How do you make a division shot?
How to Create a Shot List in 5 Steps Choose a scene from your script and open a new spreadsheet. Break down how you want to capture every individual shot in the scene one-by-one. Give each shot a unique number, starting with 1. Make sure you assign every part of the scene its own shot.
Why is the last shot called Martini?
Martini Shot (also called Window Shot) is a Hollywood term for the final shot set-up of the day. According to Dave Knox, author of the film industry slang guide Strike the Baby and Kill the Blonde, the Martini Shot was so named because “the next shot is out of a glass”, referring to a post-wrap drink.
What is a dolly grip film?
The dolly grip operates the dolly during the shoot, with the camera operator and an assistant riding atop it to get the tracking shots. In addition, dolly grips put the track together for the shots. They may also mount the camera in addition to moving the dolly as needed.
How much do grips get paid?
Once there be sure to join a union to ensure success and guarantee wages. On average, a key grip will make $37,000 per year. It’s not unheard of for a big Hollywood key grip to make between $80,000 and $100,000 per year, but the work is inconsistent. If there is no filming, there is no work.
